This week Helen Bartlett shares how she built her portrait business from scratch to become one of the UK’s leading social photographers and a Canon ambassador, and how she photographs entirely in the medium she loves; black and white.

Also, this week what the boys do if they ran Fujifilm for a day, a book of the week and kit/project advice for a bed-bound listener. And Photo Disasters are back!

The British Podcast Awards

Not that we should infer anything, but if you were to go to THIS LINK, and search for your FAVOURITE podcast. It would be ace! 🙂

Today’s Guest is Helen Bartlett

Helen Bartlett, portrait photographer is our guest this week.

Helen shoots entirely in black and white.

We talk to Canon Ambassador Helen Bartlett at Photokina 2018.

Platon’s ability to interview sitters whilst photographing them.

Step inside the minds of the most innovative designers in a variety of disciplines and learn how design impacts every aspect of life.

What does Kev really think of the Fujifilm X-H1?

Some other stuff we mention

Kev’s Book of the Week Street Play

From 1977 to 1980 Martha Cooper was a staff photographer at the New York Post. Working out of her car, she drove around the city’s five boroughs from assignment to assignment, always on the lookout for interesting feature shots. Cooper quickly found that the city’s poorer neighborhoods had the richest street life and her favorite location became Manhattan’s Alphabet City–north of Houston Street between Avenues A and D–as she would habitually wind through Manhattan’s Lower East Side on her way back to the Post at the end of the day. In Street Play, Cooper takes us through the Alphabet City of the late 70s, when this area was undergoing extensive urban renewal–a process that is still continuing today. At the time, the neighborhood had more than its share of drug dealers and petty criminals, and the landscape often seemed ugly and forbidding. But to the children who grew up there, the abandoned buildings and rubble-strewn lots made perfect playgrounds, providing raw materials and open space for improvised play. A crumbling tenement housed a secret clubhouse, rooftops became private aviaries, and a pile of trash might be a source for treasure. Street Play shows the creative and indomitable spirit of city kids determined to make the best of their inhospitable environment. Today the neighborhood is transformed, although the days of go-carts and skelly caps can still be found down certain streets between new developments and parks. Martha Cooper’s work attests to a transitional, post-tenement and preartist period on the Lower East Side when this street culture was not pushed to the fringes of this already out-of-the-way neighborhood, but held turf in Alphabet City.

Martha Cooper Interview at the Booksigning Session of “Street Play” at Mr.Ego, Brussels, Belgium

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