The most left-field question for an entire season; what settings would you use to capture the visit of a UFO? We also talk about book design, the whisky camera shop, sensor cleaning on IBIS cameras and ask is it the photographer who makes a camera shine or is it the other way around? There’s advice for new documentary wedding photographers; the rules of engagement in church, we talk SD cards, 3rd party lens setups, the value of a weather-sealed lens, film recipes, the joy of doors (!), video mic suggestions for vlogging and small scale postcard printing. Kev’s book of the week is American Photographs by Walker Evans and we have an appeal for friends of the show to tell us YOUR stories.

 

 

Book of the week is Walker Evans American Photos

More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, “photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers.” This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions–two of which altered the design and typography of the book in small but significant ways–are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.

Walker Evans (1903-1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.

Other Stuff we chat about this Week

Helen Jones Florio, Grace in decay door and shop fronts: https://www.instagram.com/doors_helenjonesflorio/ 

The Rode VideoMicro: https://www.rode.com/microphones/videomicro 

Mali Davies YouTube channel: https://www.youtube.com/channel/UCBSSoAPPZrlH8qzdIq_dcmQ 

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Comments (1)
  1. Walker Evans.
    A 60 page book came out a little while ago ‘Walker Evans: The Interview with Leslie George Katz’.
    The text of an interview with Evans in 1971. It has an introduction about him, the interview with notes, and then a selection of Evans’ photographs with Evans’ commentary on each one.
    You probably know all this, but just in case……

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